After getting Ikari’s help in getting some 8M Packs ROM-dumped, ChronoMoogle sent me these Memory Pack ROM dumps to take a look at.
The first is a redump of BS Fire Emblem Akaneia Senki Hen Dai-1-Wa: Palace Kanryaku.
In comparison with the previous dump, the -only- difference is the date, which is marked (as ucon64 detects it) 9/29 instead of the previous dump’s 4/4. Otherwise, it is completely identical, even down to the checksum.
As unfortunate as it is that I didn’t find something awesome like the missing CG Art (aw, well. I got scans of that anniversary book, anyway), the fact that these two different dumps are the same down to the checksum basically means the ROM data is as close to “verified good” as it can possibly be, which is pretty good for a Soundlink game!
Likewise, compatibility is also identical to the previous ROM dump.
The second ROM… uhhhhhh…..
….
Checking the hex mentions something about “ASCII Music Data”, so it may be intended to be Ongaku Tsukuru Kanaderu data, but… it doesn’t seem to show in BS-X or anything. Is it a corrupt or deleted data? This is confusing….
So, a few days and nothing of note? Time for filler! Where did I leave off the filler last time…?
Ah, yes, I put up a few Youtube clips of the “BS Fire Emblem: Akaneia Senki Hen” chapters in “Fire Emblem: Shin Monshou no Nazo ~ Hikari to Kage no Eiyuu”.
I don’t necessarily know how picky folks are about permissions, but I don’t see any reason to think ScarletSword would mind if I embed his videos here… Read the rest of this entry »
A particular fan has attempted recreating three of the BS Fire Emblem songs – namely the “God’s Young Sage” and “Theme of Live” remixes and the “Planning”/”Victory” Medley.
I was able to extract a single mp3, much like with IntSys’s upload of the song “WIND” from before:
The songs sound very nicely done, although even with the low-quality encodes we have, I can tell the guy didn’t quite have all the sound samples the original used. In particular, the organ in the medley lacks the “church-like” organ sound, sand generally sounds more analog-synthed than sound-sampled.”
